This question looms large when setting out to circumnavigate a novel. Indeed, it might be the most important question of all. The narrator is everything to a story. The lens for the reader’s view. The grasp of the reader’s hand. The whisper in the reader’s ear. Get the narrator right and a lot of bumps on the road may be smoothed out. Get the narrator wrong and you’ll end up in a ditch, calling for a tow truck.
In my previous work, the question of who tells the story tended to have ready answers. Kindling was always going to be the alternating voices of father and son. The fabulist fable of Infinite Blue would only ever be served by a Brothers Grimm-esque third person. In Most Valuable Potentialand Munro vs the Coyote / Exchange of Heart, the narrator needed to be a guide for the reader as they engaged with experiences outside of the mainstream for many: those of the the immigrant and the disabled. Are You Seeing Me?wasn’t quite as straightforward — the original draft had much of the third act delivered from mother Leonie’s perspective; during it’s two and a half year struggle to find a home, that approach was abandoned in favour of focusing solely on the twins (a decision that played an enormous role in the work finally securing a deal).
Tao: In Confucianism, the way,or the path to be followed.
For anyone who knows me and has read the teaser for Boy in the Blue Hammock, it will be no surprise to you that my son was the inspiration for the character of Kasper. What might be a surprise is that failed service dog, Tao, is also grounded in real-life. For over a decade, a goofy, gold-coated Labrador was part of our family due to ‘incomplete training’ with the BC Guide Dogs.
Readers familiar with my background know that I have an intellectually disabled, neurodiverse son, and readers familiar with my work know that intellectual disability and neurodiversity feature in the novels Kindling, Are You Seeing Me? and Munro vs. the Coyote / Exchange of Heart.
Inevitably, the question has arisen:
“Is that your boy on the page?”
The long answer is I used aspects of his manner, language, attitude and interests as a jumping-off point to create characters that assumed their own living, breathing, authentic fictional lives. The short answer is no.
My new novel Boy in the Blue Hammock will be out next spring and, surprise surprise, it centres an intellectually disabled, neurodiverse protagonist. And already I can hear the question again, distant but persistent, making its way towards me like I’m a destination on Google Maps:
Any author who’s ever had work rejected is familiar with these statements. Over 20 years and eight novels, I’ve had my fair share of ‘fitness’ fails and I’ve come to understand it’s sometimes literal, more often publisher shorthand for ‘We don’t think it will sell’ or ‘We don’t love it’ or ‘We don’t love it enough’. Typically, I would shake it off and saddle up for the next response, hope springing eternal from decisions not yet made.
The eighteen months of contractual futility that haunted my upcoming 2022 novel, Boy in the Blue Hammock, though? It was different. The parade of passes based on fit seemed to be communicating a new shorthand, not so much a situation of square peg / round hole.
In a time of isolation and scarcity, a regressive regime rules with absolute power, turning neighbour against neighbour, and crushing dissidence with deadly force. A microcosm of this monstrous time: the tiny Pacific Northwest town of Gilder.
In a house on the fringes of the decimated hamlet, Tao – a failed service dog turned pet – wakes to find his leash tied to the stair, his hind leg broken and his family killed. With the world he knows shattered, there is one course of action: lay with his slain masters and wait for the enemy – the “hounds” – to return and end his life.
But it is not the hounds that find him – it is Kasper, fifteen years old, disabled, limited ability to speak, sole survivor of the family. With the discovery of Boy, Tao understands he now has a duty: guide the last living member of his pack through the ravaged streets of Gilder to safety. The destination? The only refuge he can conceive of in a world gone mad?
The site of his training five years before.
Boy in the Blue Hammock is an epic tale of loss and loyalty, of dissent and destruction, of assumption and ableism. With a powerful narrative and evocative prose, the novel poses one of the important questions of our time: when evil silences the people, who will protect those without a voice?
Infinite Blue— a collaboration between myself and younger brother cum San Francisco Giants tragic, Simon Groth — has now officially hit the shelves. As this little fabulist novella makes its way into readers’ hands, I thought I might provide some insight into the IB inspiration we derived from our brothers-from-another-mother: Jakob and Wilhelm Grimm.
It’s short.
Despite what Disney would have you believe, The Brothers Grimm fairytales were brief affairs. So brief they crammed 86 tales into the first edition collection. We weren’t into that level of abbreviation — IB comes in at just under 180 pages — but we did want to honour the Grimm tradition of concise legend.
It’s archetypal. Characters in IB, though contemporary in construct, should still call to mind those populating the pages of Grimm lore. The Caregiver, The Hero, The Villain, The Mentor, The Sage, The Jester, The Orphan. Even water — our constant presence and ‘shadow narrator’ — could be tagged as The Ruler, perhaps even The Lover.
At the beginning of May, I had the privilege of touring Ottawa, Rideau Lakes and Hamilton as part of the Canadian Children’s Book Centre’s Book Week Tour 2018. Look out for a post or two soon about this mighty adventure.
In the meantime, enjoy this interview I did at the Hamilton Public Library with the incredible Amy Mathers. Amy and I connected up at the end of Book Week and discussed coming to Canada, magic realism, neurodiversity, disability, writing from personal experience, and how I need to stop writing about dodgy mothers.
Fans of Are You Seeing Me?might be pleased to see the similarities in style, design and font. I’m pleased to see that I did indeed write Are You Seeing Me? and it wasn’t all just a lovely dream.
If you’re in Australia and wish to pre-order Exchange of Heart, you can do so here.
If you’re in Canada/US and wish to pre-order Munro vs. the Coyote, you can do so here.
My brand new YA novel is coming out this year. In North America, it’s titled Munro vs. the Coyote and the cover looks a little like the awesomeness above.
Not bad, eh?
Every image within the Coyote’s head speaks to moments, elements and characters in the story.
I can’t wait to see this jacket on the real deal come October.
Myperbole 