‘Boy in the Blue Hammock’ – The Teaser

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Spring 2022, to be specific.

In a time of isolation and scarcity, a regressive regime rules with absolute power, turning neighbour against neighbour, and crushing dissidence with deadly force. A microcosm of this monstrous time: the tiny Pacific Northwest town of Gilder.

In a house on the fringes of the decimated hamlet, Tao – a failed service dog turned pet – wakes to find his leash tied to the stair, his hind leg broken and his family killed. With the world he knows shattered, there is one course of action: lay with his slain masters and wait for the enemy – the “hounds” – to return and end his life.

But it is not the hounds that find him – it is Kasper, fifteen years old, disabled, limited ability to speak, sole survivor of the family. With the discovery of Boy, Tao understands he now has a duty: guide the last living member of his pack through the ravaged streets of Gilder to safety. The destination? The only refuge he can conceive of in a world gone mad?

The site of his training five years before.

Boy in the Blue Hammock is an epic tale of loss and loyalty, of dissent and destruction, of assumption and ableism. With a powerful narrative and evocative prose, the novel poses one of the important questions of our time: when evil silences the people, who will protect those without a voice?

COMING SPRING 2022  

‘Another’ Post About Book Diversity

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Diverse Books

First, the good news:

The recent #WeNeedDiverseBooks Twitter coup was an admirable rebuff of the longstanding hegemonies in children’s and young adult fiction. It doesn’t look like a flash in the pan either, so that’s good too.

Now, the bad news:

The whole exercise has further illustrated – dare I say, reinforced – the pecking order of minorities in both the book debate and the wider society looking on.

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